Movie barcode as support for video analysis and film restoration

Abstract

Keywords

Full Text:

Barricelli, B. R., Casiraghi, E., Lecca, M., Plutino, A., & Rizzi, A. (2020). A cockpit of multiple measures for assessing film restoration quality. Pattern Recognition Letters, 131(2020), 178-184.

Black Magic Design. (2021, October 22). Da Vinci Resolve. Retrieved from https://www.blackmagicdesign.com/it/products/davinciresolve/

Chen, Y., Faden, E., & Ryan, N. C. (2021). KALMUS: tools for color analysis of films. Journal of Open Source Software, 6(61), 3156.

Clark, C. (2021, November 05). The Colors of Motion. Retrieved from https://www.thecolorsofmotion.com/about

Cohen-Kalaf, M., Lanir, J., Bak, P., & Mokryn, O. (2021). Movie emotion map: an interactive tool for exploring movies according to their emotional signature. Multimedia Tools and Applications, 1- 22.

Davis, H. (2019). Creative Black and White: Digital Photography Tips and Techniques. San Rafael, CA: Rocky Nook, Inc.

Enticknap, L. (2013). Film Restoration - The Culture and Science of Audiovisual Heritage. London, UK: Palgrave Mcmillan.

Fossati, G. (2013). Obsolescence and Film Restoration: The Case of Colored Silent Films. Conserver l’art contemporain à l’ère de l’obsolescence technologique. TECHNE 37(2013), 102-106.

Gatta, C., Rizzi, A., & Marini, D. (2002). ACE: An automatic color equalization algorithm. In Conference on colour in graphics, imaging, and vision (pp. 316-320). Springfield, USA: Society for Imaging Science and Technology.

Genaitay, S., & Dixon, B. (2010). Early colour film restoration at the BFI National Archive. Journal of British Cinema and Television, 7(1), 131-146.

Gray, T. (2021, November 05). A Visit to Disney’s Magic Kingdom. Retrieved from https://blog.wolfram.com/2013/08/13/a-visit-to-disneys-magic-kingdom/

Kolås, Ø., Farup, I., & Rizzi, A. (2011). Spatio-Temporal Retinex-Inspired Envelope with Stochastic Sampling: A Framework for Spatial Color Algorithms. Journal of Imaging Science and Technology, 55(4), 40503-1-40503-10(10).

Mazzanti, N. (2012). Chromatic Cinema: a history of screen colour. Milton Park, UK: Taylor & Francis.

Mazzanti, N. (2018). A film is a film...is it not? . In U. Holl, I. Kaldrack, E. Welinder, C. Miksch, & E. S. Stutz (Eds.), Oberflächen und Interfaces (pp. 221 - 236). Paderborn, Germany: Wilhelm Fink Verlag.

Old Films and Stuff. (2021, November 03). Robert W Paul - The (?) Motorist - 1906. Retrieved from YouTube: https://www.youtube.com/watch?v=4vNOJ4P-JWM

Otto, I., Plutino, A., Lanaro, M., & Rizzi, A. (2018). All the Colours of a Film: a study on the Chromatic Variation of Movies. In AIC Colours and Human Comfort, Lisboa (Portugal), 29-29 September 2018.

Plutino, A. (2020). Tecniche di Restauro Cinematografico - Metodi e Pratiche tra Analogico e Digitale. Roma: Dino Audino.

Plutino, A., & Rizzi, A. (2020). Alternative Methods for Digital Contrast Restoration. Imagine Math, 7, 73-87.

Plutino, A., & Rizzi, A. (2021). Research directions in color movie restoration. Coloration Technol., 137, 78-82.

Plutino, A., Bellotti, S., Lombardi, C., Guerrini, P., & Rizzi, A. (2018). The Funerals of the Bombing of Piazza della Loggia in Brescia: an example of rescue of an historical and amatorial document. In L. Campanella, C. Piccioli, A. Rendina, V. Romanelli (Eds.), AIES - Diagnosis for the Conservation and Valorization of Cultural Heritage (pp. 121-138). Napoli: Cervino Edizioni.

Plutino, A., Lanaro, M., Liberini, S., & Rizzi, A. (2019). Work memories in Super 8: Searching a frame quality metric for movie restoration. Journal of Cultural Heritage, 41(2020), 238-248.

Rizzi, A. B., Bonanomi, C., & Gadia, D. (2016). Unsupervised digital movie restoration with spatial models of color. Multimedia Tools and Applications, 7(75), 3747–3765.

Rizzi, A., & Bonanomi, C. (2017). Milano Retinex family. Journal of Electronic Imaging, 26(3), 031207-1 - 031207-7

Tumblr. (2021, 11 05). Moviebarcode. Retrieved from https://moviebarcode.tumblr.com/

Wang, J., Li, B., Hu, W., & Wu, O. (2010). Horror movie scene recognition based on emotional perception. In 2010 IEEE International Conference on Image Processing, (pp. 1489 - 1492). Hong Kong: IEEE.

Wilms, L., & Oberfeld, D. (2018). Color and emotion: effects of hue, saturation, and brightness. Psychological research, 82(5), 896 - 914.